![]() ![]() It is divided into 4 play zones, all colour-coded, to represent various aspects of a child’s learning- Red: Creative, blue: cognitive, green: social and yellow: emotional. He aimed to build something that would be just as playful, engaging and interactive as LEGO is in itself. Bjarke fashioned it in such a way that everyone could have an immersive and interactive experience. It represents the culture and experiences of the LEGO world. It is the real-life-architectural-scale portrayal of warm childhood memories. LEGO house situated in Billund, Denmark, the birthplace of LEGO bricks, manifests Bjarke’s idea of bringing a fantasy world to life. What’s one thing LEGO play and architecture have in common? Empowering people to imagine a new world creatively, that is more compelling and expressive. He considers the natural world around his buildings to a much larger degree. All his designs are in direct dialogue with nature and society, is one of the most striking concepts about his architectural style. His designs are incredibly cost-effective and attainable. It’s not just a stylistic exercise, it’s about making a stand, as species, on what kind of world we want to live in. Ingels views Architecture as a form of Art and Science to create a world of our dreams. His ideas revolve around his belief of providing a sustainable human life on Earth with the existing technologies. He designs his buildings that would potentially suffice and stand the environment changes, even tens of years down the line. His architectural vision seeks to bring innovation in a way that impacts how we look at design as a whole and how design impacts every aspect of our lives. If we were to put together functionality, fantasy, sustainability and eco-friendliness in architecture, the outcome would be an Ingel’s. He believes in the idea of “pragmatic utopian” designs and brings this philosophy to life through his architecture projects. He observed that Koolhaas’ projects reflected social, political and technological situations, instead of being an autonomous art form, he realised that the fun in architecture didn’t exist there because it was far too tethered by reality.ījarke founded BIG in 2006, establishing Bjarke Ingels Group, the Partner-in-Charge of all those unconventional buildings.ĭanish for “Design” is “Formgive”, which essentially means giving form to the future, and he feels architects have the power to facilitate this conception. He continued his studies at the Escola Tècnica Superior d’Arquitectura in Barcelona.ījarke worked under Rem Koolhaas, one of the worlds most renowned architects, for 3 years, which was an eye-opener for him, in both positive and deeply negative ways. In the hopes of becoming better and more competent at drawing and sketching, he pursued Architecture from the Royal Danish Academy of Fine Arts for Architecture. One would think Architecture would be his passion growing up, but instead, he wanted to be an illustrator/cartoonist, and design his own graphic novels. “You take a wild idea, that is pure fiction, and you turn it into a hard fact.” - Bjarke Ingels.ījarke Ingels is one of the most distinguished and innovative architects of our time. ![]()
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